Tuesday, August 6, 2013

Update on Time Warner and CBS or Brighthouse and Showtime

by Catherine Giordano



You ain't nothing but a hound dog


It looks like negotiations between Time Warner (Brighthouse) and CBS (which also owns Showtime) are going nowhere. They appear to be in the name-calling stage right now.  (I know you are, but what am I?)

From the Orlando Sentinel online today (Tuesday 08/06/13) posted around 10 am:  “Even though both sides urged each other to return to the negotiating table, talks seemed to have broken down, with no resolution in sight to the blackout affecting more than 3 million Time Warner Cable customers.”

In some parts of the country, like in Central Florida where I live, we can still get CBS. (It appears that this is related to who owns the CBS stations in a market. The people in New York, Los Angeles, and Boston have CBS blacked out too.)

The only new news that I have been able to find as of Tuesday August 27, 2013 is that both sides are stubbornly refusing to compromise.  However, the start of football season on September 5th, may force a solution because the pressure to resolve the dispute will be intense.  America loves its sports.

But Showtime is gone.  I’d cancel Brighthouse (cable, phone internet), but I expect there would be a wait to get the new service installed. So by the time the change was effected, the dispute would probably be resolved.  Also things never work right the first time so it would be probably at a couple of weeks of service disruption before everything got working.

Remember that Elvis Presley song—“You can do anything that you wanna do, but don’t step on my blue suede shoes.  Don’t mess with my TV.  Another Elvis song also seems appropriate.  “You ain’t nothing but a hound dog!”  I mean you CBS and Time Warner.  And that is putting it mildly. Also ”Don’t be cruel.”  Who knew Elvis had so much to say about cable TV?.

P.S. I found a friend with Comcast, so I’m going to her house tomorrow.  Then, I’ll be able to review Dexter and Web Therapy. 

P. P. S. Are you feeling lonsome tonight? Or nostalgic for Elvis Presely? Try this link.
See my post from Saturday 8/3/2013 for more information.

See my latest post on August 13 for the most recent developements.

Learn how to contact CBS Showtime o my August 9 post

Update: The dispute is over and Showtime and CBS are back on Time Warner Cable as of Monday September 2nd at 3 pm.




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HBO’s Newsroom #14 “Unintended Consequences”

By Catherine Giordano

HBO’s The Newsroom episode 14 (Season 2, episode 4), airing Sunday August 4, 2013 was titled “Unintended Consequences.”  I’m titling the show “Slap-Happy” referring to the characters onscreen as well as to how I, as a viewer, feel.

The problem with this show is that it can’t make up its mind. What kind of show is it? A serious drama or a sit-com? You can’t mix the two without having the viewers feel jerked around.  And in this last episode, we see some characters totally changing their character. People don’t change their personality from week to week.
The main focus of the show is Maggie’s interview with the stern, always professional, company lawyer, Rebecca Halliday, played by Marcia Gay Harden.”  Only this week, it is like she is punch drunk. She is trying to be funny—totally out of character, and the jokes aren’t funny. She is insisting to Maggie that she is a funny person except her character would never care what Maggie thought of her. The mind reels trying to understand this new persona Rebecca has adopted. One of the few characters on the show who seemed realistic has now joined the rest of the buffoons. That leaves Leona Helmsley, played by Jane Fonda, as the only believable character. I’m sure that won’t last long. I cringe for Marcia Gay Harden, a fine actress, forced to say these lines as she struggles to stay “in character.”

We see a totally new Maggie in this episode as well. Her long blond hair is gone, and she is now a redhead with a spiky pixie cut. Her public meltdowns and scatter-brained  proclivities are gone, and she’s all no-nonsense steely. Perhaps a trip to Arica and an attack by bandits can do that for a person. (Or maybe Sorkin, the series creator, just got tired of the constant barrage of “Maggie’s an idiot” comments in the press, and so he did a character transplant.) On a better show, this incident in Africa where a young child who Maggie befriended is killed as Maggie tries to help him escape from the bandits would be poignant; on this show it just seems out of place.

And talking about slap-happy and punch-drunk, the hitting goes on. This time it’s not Mackenzie slapping people around—it’s Shelly Wexler, one of the leading non-leaders of the Occupy Wall Street movement. Neal gets her an on-air interview with Will McAvoy who appears to take delight in taking her apart on air, humiliating her. So what does she do—she walks out and punches Neal in the gut, hard.

Shelley wants an on-air apology and she has some leverage. It seems that one of the Occupy Wall Street squatters was in Pakistan and may possibly have information about “Genoa,” a war crimes story that the news team in investigating.  Everyone on the news team takes a turn “making nice” to Shelley, and they all only make her angrier. McAvoy accused her of being naive and ineffectual and she proves her naivete by thinking that she can get an apology.  (Fortunately, she doesn’t hit anyone else.) McAvoy accused her of being naive and ineffectual and she proves her naivete by thinking that she can get an apology. Finally, McAvoy turns on the charm, gives her a sorta personal apology, and Shelley melts even though he tells her no way is she getting an on-air apology.

In the meantime, Jim and his fellow rebels from the Romney campaign bus are still struggling to report on the campaign. Taylor, the press liason has frozen them out. But then, Taylor, who is always so composed and precise, evidently loses it and blows up at Jim, cursing him out. This could be very embarrassing to the campaign if Jim reports it, so to “make nice” she offers him 30 minutes with the candidate. He lets his fellow reporter, Hallie Shea, who he is crushing on, have the interview in his stead.  MacKenzie finds out about Jim giving up the interview and she yanks him back to the newsroom. But never mind, he gets a kiss from Hallie.

There is one thing that I liked—the “smart-ass-comment” of the week.  MacKenzee says, “I don’t ignore evidence. I’m not Congress.”  Now that is humor that doesn’t make me feel like I’ve been slapped upside the head.
 

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Monday, August 5, 2013

HBO’s Real Time with Bill Maher #292 “Frankly Speaking”

By Catherine Giordano

Jay Z was Maher's guest on 08/03/13.
This is a picture of his new album, Magna Carta, Holy Grail 

Real Time with Bill Maher, episode 292, aired on August 2, 2013 began with the Monologue as usual taking shots at the usual suspects.
 
·        Congress repealed Obama care for the 40th time.  Bill wanted to know if you can file a restraining order against Congress. 
·         Russia is hosting the next winter Olympics and Putin is so anti-gay that figure skating has been cancelled.
·       The Pope said that gay Catholics shouldn’t be marginalized.  “Who am I to judge?, the Pope said. Bill said that it show that when people get to know gays as friends and co-workers, prejudice against them falls away. And who has more gay friends and co-workers than the pope.
 
·         Ariel Castro was sentences to life in prison for the kidnapping of the three young women in Cleveland.  Bill joked that Castro said, “It’s a personal matter and should not influence my candidacy for mayor.” There were more Anthony Weiner jokes throughout the hour.  I’m getting tired of Anthony Weiner jokes.  Anthony Weiner needs to go away.
The interview was with Larry Miller, a comedian who recently cracked his head open in an accident. He was in a coma for 10 days. It was a close call. He told the story about how his wife lost it one night, and went out on the balcony to yell at God. She said, “Take him or cure him, but I can’t go on this way any longer.” The next morning she went to the hospital and found out that her husband had come out of his coma at just the moment that she yelled those words. Here Bill, so anxious to put down any supernatural claims, stepped on Miller’s joke. Finally, Miller was able to conclude, “The doctor said that the wives always yell at God. But this is the first time that it worked.” 
 
The guests were Josh Barlow, a contributor to The Nation magazine, Alexis Goldstein, from Occupy Network and Barney Frank, former Congressman from Massachusetts.  I titled this review “Frankly Speaking” in honor of Barney Frank who can always be counted on to speak frankly. (Also because comments and  jokes about “Pope Frank, the atheist,” as Bill calls him, were plentiful.)

The conversation began with a discussion of the Rand Paul and Chris Christie verbal “slap fight”. Barney Frank said he was taking Christie’s side because he has “a soft spot for rude fat guys.”  (Frank is hefty, but nowhere near the size of Christie and Frank’s barbs are done with wit, Christie is just a bully.)  

The question came up about Christie’s potential race for president. Would his governance match his rhetoric?. Barlow looked to be on Christie’s side saying that you don’t know what he will do. For instance, Bush promised us a humble foreign policy, and look what he did. This not exactly a good way to defend Christie—it implies that, like Bush, he will be worse that he promised.

Bill took issue with Goldstein about the Occupy movement for not becoming a political force, a voting block, like the Tea party. Goldstein said the movement wasn’t about running for political office it was about calling attention to issues. And besides the tea party hasn’t accomplished anything—all they do is obstruct. This riled Frank, “Yes,” he said, “and all Cain did was murder Abel.” Frank had to fight that obstructionism everyday while in Congress—she hit a sore spot.

For the remainder of the show Frank “schooled” Goldstein.  He lectured her and demolished her arguments. Goldstein was out of her depth.

The comedy segment dealt with predictions for newspaper headlines over the next five weeks while “Real Time” is on hiatus. Some of the headlines were

·         Huma Abedin files for divorce citing irreconcilable douchebaggery

     ·         Bloomberg bans dirty limericks in bars

·         Bugler jury shot to death. Police suspect mass suicide
 
·         Cleveland police find teen kidnapped ten years ago chained in front yard under a giant spotlight
 
·         Pope Francis moves to Massachusetts; marries long-time companion

The special guest was Jay Z. His new album is Magna Carta, Holy Grail. What a class act. A soft-spoken self-effacing man, billed as an entrepreneur who raps a little. Bill noted that one of the songs in his new album said to question religion. 
 
The conversation moved to police and the plight of the poor especially Arican American poor. Jay Z said that the middle class was disappearing and this would bring trouble down on America. 

Goldstein complained about the police (as might be expected given the police brutality in Zocatti Park during its “occupation.”  She said the police should stop and frisk young white men in the Wall Street area—they are all carrying tons of cocaine.  Frank said, African Americans don’t’ want to reduce the police presence; they need protection, they just want better a behaved police force.

Bill said that the pope was doing a better job moving his party into the future than Republicans. Frank quipped, “he doesn’t have a primary.” Bill and Frank agreed that we seem to have government by temper tantrum, and that the general electorate that votes in November has to punish “the crazies” who win the Republican primaries.

The new Rules final segment was about Citizen’s United.  Sheldon Adelmen allowing rich guys to have extreme power. Sheldon Adelman spent a total of $150 million dollars trying to defeat Obama. North Carolina has taken a hard turn to the right because Art Pope (who is a “Koch brother by another mother” who earned his money by inheriting it from his father) has outsized influence.  He said it was time for the liberals to pony up because it is no longer our ideas against their ideas and our base against their base.  He made a show of trying to think of someone, but it was clear he had Jay Z in mind.  This was the “you-talking-to-me” moment of the week.

Bill suggested that Spielberg could take over Wyoming and put E.T. on the state flag; Tyler Perry could take over Montana and be both of the senators from the state and make Madea governor; and how about gay marriage in Oprahoma.

Frankly speaking, I’m going to really miss this show while it is on hiatus for five weeks.
 
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Saturday, August 3, 2013

Time Warner/Brighthouse Drops Showtime

Showtime Cast Members

Every couple of years, cable TV providers (like Time Warner/Brighthouse) and cable TV content providers play a game of chicken.  But it is we the viewers who get knocked to the side of the road.

They have have gone too far. Time Warner/Brighthouse has removed Showtime. Or is it vice-versa? Each blames the other.

Is it time for me to switch cable providers or should I cut the cable and get a Netflix subscription?

Time Warner you have until Sunday 9pm to get Showtime back up or you are history in my house.

Time Warner drops Showtime and Showtime loses millions a day in fees. This puts the pressure on Showtime.  (So no, Showtime is not the good guy it wants you to think it is by offering to not pull its shows.) Showtime gets its licks in by telling viewers to call Time Warner to complain and to switch cable channels.

And we are caught in the middle. Switch cable providers only to have the same thing happen next year with the new provider? Or do we just tough it out and hope it is over in a day or two?

I complained via email to Time Warner and got this in reply.
As of 5 p.m. ET on August 2, 2013 our agreement with CBS Corporation has expired. Channels affected include Showtime, The Movie Channel, Flix, Smithsonian and CBS content on Primetime on Demand. It is important for our customers to know that we carry hundreds of channels and agreements are being negotiated and renewed all the time. Normally, these situations eventually get resolved, so we believe this is a temporary situation.
 
If you had not seen information regarding the negotiations prior to the signal no longer being available to you, below you will find an overview of the situation and helpful viewing options regarding CBS Corporation's programming.
 
As a valued Bright House Networks customer, it is important for you to know the following:
 
- This happens to other providers too. In fact, in 2012 alone, there were nearly 100 blackouts of local TV stations across cable, satellite and telephone company distributors, according to the American Television Viewer Alliance.
 
- Customers who currently pay to subscribe to Showtime or The Movie Channel will have credits applied to their account automatically, based on how many days the programming is unavailable. Depending on your billing cycle, you may see credits on both your August and September statements.
 
- We believe broadcaster blackouts are wrong. Despite CBS Corporation's blackout, we expect negotiations to continue and anticipate that the channels will be returned to the lineup shortly.

 - Get the latest updates about the blackout and what channels are affected in your immediate area at http://onyourside.brighthouse.com.


I also learned that CBS is affected and you may not be able to get CBS programming online.  I checked Hulu, Nefliix, iTunes and amazon.  So far as I can tell recent episodes are not available.  Does anyone have information? I guess the best bet is to find a friend who has a different cable provider.
Read the latst info on my August 13 post.

Learn how to contact CBS Showtime on my August 9 post.

Update: The dispute is over and Showtime and CBS are back on Time Warner Cable as of Monday September 2nd at 3 pm.


Thursday, August 1, 2013

Homeland Bringing Home the Emmys

Click Here to order Homeland DVD's on amazon.com
by Catherine Giordano

Homeland is bringing home the Emmys, well, technically at this point in time, only the Emmy nominations, but the Emmy’s are sure to follow as they have in previous years. This year they are nominated for 11 Emmys.

Homeland returns for Season 3 on Sunday, September 29, 2013 at 9:00 pm.

If you are a Showtime subscriber, you can see all of the previous two seasons on Showtime On Demand right now. If you missed the previous two seasons, now you can catch up in time for the premiere of Season 3.

List Of Emmy Nominations for Homeland
Drama Series
Lead Actress Drama Series—Claire Danes
Lead Actor Drama Series—Damian Lewis
Supporting Actress Drama Series—Morena Baccarin
Supporting Actor Drama Series—Mandy Patinkin
Guest Actor Drama Series—Rupert Friend
Director Drama Series
Writing Drama Series
Cinematography for Single Camera Series
Best Casting Drama Series
Best Sound Mixing Series (11hour)

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Wednesday, July 31, 2013

Showtime’s Web Therapy #302 “Who Doesn’t Love Musicals”

by Catherine Giordano

The Way It Was

Lisa Kudrow as Fiona
Click here to get the DVD from amazon
Really, People, you have to believe me—this is the best show that you are not watching. If you like smart comedy, watch Showtime’s Web Therapy with Lisa Kudrow—a new episode debuts every Tuesday night at 11 pm. If you missed the previous two seasons get the dvd or order them from NetFlix. or itunes, or amazon or whatever.

This is the way it was on the second episode of season three.

Steve Carell is back as Jackson Pickett, Fiona’s one-night stand who has fallen in love with her. They are both back at their respective homes and having a little video chat.  Fiona puts it as delicately as possible, which is not very delicately, the he “should not aspire to the likes of her.”   “Go find a waitress or a shop clerk,” she tells him.  Also, oh so delicately, she accuses him of stealing her Rolex watch.”  Jackson declares his love in response to the former and his innocence with respect to the latter.

Pickett? Pickett? Where have I heard that name before? Oh, yes, T. Boone Pickett.  Wouldn’t it be a hoot if Jackson is the billionaire’s son or grandson? We see Jackson sitting in a very spacious well-appointed office during his video chat with Fiona indicating that he may be a wealthy successful person.   (Perhaps that is why he laughed when Fiona accused him of stealing her watch.) P.S. Fiona finds her missing watch on her desk right after she ends the chat with Jackson.

Jackson claims to have memories of the future so he knows that Fiona is actually in love with him. He claims that her call was just an excuse to stay in touch with him. He knows that is the way it was.

Fiona’s next chat is with her gay almost ex-husband and his lover Ben. They live in New Mexico now and are big supporters of the NRA. Fiona says that the NRA slogan is “Guns don’t kill people, people with guns kill people.”  The conversation is hilarious as Kip and Ben try to correct her, but Fiona, who knows that she is always right, continues to insist that “people with guns kill people.” (And really, isn’t she right?) Eventually the conversation moves on. It seems that Fiona mis-used some campaign funds when Kip was running for Congress (before running away with Ben) and the feds are closing in on her.

Alarmed, Fiona calls Richard who used to handle the campaign finances.  She is trying to get the records. Richard claims that he has shredded them. Fiona becomes increasingly desperate. 

Next Fiona chats with Jerome, her former assistant who had left to run her mother’s rival business, Net Therapy, which was a knock off of her own business, Web Therapy.  Richard is not as he was on the last episode. He looks a mess. It seems that Putsy has sold Net Therapy for mega bucks to a British company and Richard was not part of the package. He is now desperate for work. Fiona plays him into agreeing to work for her again, but at minimum wage with no benefits.  And one other thing—Fiona insists, as a condition of his employment, that Jerome steal Putsy’s client list. Lastly, in “the-push-for-maximum-advantage” moment of the week, she tells Jerome to give her some of the items from his house, a bronze horse from his mantle and a large urn that was sitting on the floor across the room. Fiona doesn’t need this stuff, but she just can’t help herself—when she has someone within her grip she has to squeeze every last ounce from them.

Fiona has a little chat with Franny, the composer/lyricist who is doing the songs for the musical Fiona, a show that will portray Fiona as a very bad person. She evidently took Franny out for drinks and since Franny is a lush anyway, got her very drunk.  Fiona then substituted her own compositions for Franny’s. By the way, the Franny/Fiona’s show tunes satirize show tunes and the whole thing is hilarious.

During the video chat she works on convincing Franny that she actually wrote those new songs.  At first, Franny is dubious because they are very bad songs, but Fiona succeeds in convincing her that this is the way it was—Franny wrote the new songs while drunk the previous night. 

Franny, aided and abetted by Fiona, has a sudden epiphany—she was writing hateful songs about Fiona because she actually hated herself.  It seems, for the moment, that Fiona has been successful in changing her characterization in the musical from bad person to good person.  But she is in push-for maximum-advantage mode, so she plants a seed in Franny’s mind that she should quit the show. Fiona obviously hopes that if Franny quits the whole project will be cancelled.

And that is the way it was on Tuesday July 30th, 2013 at 11pm on Showtime.

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Tuesday, July 30, 2013

HBO's "The Newsroom" #13 "Willie Pete"

Hope Davis as Nina Howard
by Catherine Giordano

The Big Dramatic Gesture

Was HBO’s "The Newsroom" just a little better in episode 803, “Willy Pete”? Well, Mackenzie didn’t hit anyone during the episode.

But MacKenzie is still vying for “The-Most-Annoying-Ex-Girlfriend-Ever” title. During this episode she asks Will at least a dozen times about the phone message he left for her last season after covering the “Osama-is-dead” telecast. It was “Don’t think I’m only saying this because I am high, but …”  Mackenzie is pestering him to say what came after the “but. She pestered him about most of last season too, but now she has reached new heights on the “Pest-O-Meter.

She knows about the phone message because it was hacked and the part about being high was revealed by Nina, a gossip columnist.  Now Nina has some fresh “scandal” on Will, and he undertakes the big-dramatic-gesture to persuade her not to tell the world. It’s a wonderfully romantic scene—the empty executive dining room, mimosas served by a waiter clad all in black, and a piano player off in the corner playing “What the World Needs Now is Love.” He appeals to her better nature not to print the story, and he wins her over despite the fact that scandal is her bread-and-butter. Sometimes the people in Newsroom world are such paragons of virtue that we mere mortals have to question everything we know about the way the world works.

After she agrees, Will leaves the table, but then returns to ask her on a date. She refuses saying she knows he is still in love with MacKenzie. You see, she knows that the end of the message is “but I never stopped loving you.”  Later Mackenzie calls late at night to beg Nina to tell her what the message was. Nina lies and says Will said she was a great producer. The shot widens and we see Nina, who has obviously just emerged from the shower, standing in Will’s apartment. So they went on that date (and more) after all. And Nina doesn’t want any ex-girlfriends mucking up her new romance.

There’s another big dramatic gesture and another character mastering the art of pestering. Jim is on the Romney campaign bus, asking a bunch of questions embarrassing to the candidate, pointing out the inconsistencies in his positions. The “tour bus leader,” a spokesperson from the Romney campaign, keeps evading, denying, bobbing, and weaving.  Finally Jim decides to have an “I’m-mad as-hell-and –I’m- not-gonna-take-it anymore” moment and yells “Who’s with me” to the other reporters on the bus. He only gets two takers, and in the next scene we see the three of them standing by the side of the road as the bus drives off.

The next big dramatic moment is a turn of the plot. The newsroom get evidence that the “genoa” operation may have really happened.  It comes in the form of tweets made by a Pakistani who was on the scene at the time. The tweeter talks about “Willie Pete,” the term for white phosphorous. (Only it wasn’t white phosphorous, it was racin gas.)

Rom the big dramatic moment we can now segue into the big-idiotic moment. Margaret is still as big an idiot as ever. She takes some malaria medication because her big dramatic gesture to run off to Africa to cover some story (but really just to get away from everyone in the newsroom). Nina tells her she should have taken the other medication for malaria because the one she took just moments ago has really bad side effects. Margaret immediately begins experiencing all the side effects. Nina tells her the side effects don’t kick in for a week. Margaret is undeterred and continues throughout the rest of the show with her side effects.

I have a suggestion for the people in the news room for a big dramatic gesture—grow up.

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Click here to buy the Season One dvd of "The Newroom"